U he satin
Author: s | 2025-04-24
u-He Satin, buy u-He Satin, download u-He Satin, u-He Satin plugin, u-He u-He Satin. Home; Software Sample Packs; Beats; About; Blog; Contact; Login; u-He Satin - u-He. Previous Next.
u-He Satin, buy u-He Satin, u-He Satin plugin, SoundsSpace.com
Tap and then the panning!? what!? Also, its so simple to setup. U-he nailed it.The tape emulation is on point. I love all the options. However, I would like some more warble/tape style sound options. the wow/flutter just doesn't exactly do it for me. I think there could be some tweaking here. (I want that old school VHS tape warble. You can achieve this easy with a strymon el capistan.Anyways... still a must have for me. Thanks u-he. Registered User Joined: Nov 2009 Posts: 591 🎧 15 years Quote: Originally Posted by work2do ➡️ So far I agree. I prefer Vtm and ua ampex. I expected a lot more after the hype in the other threads. Which other threads? Lives for gear Joined: Jun 2005 Posts: 6,188 🎧 15 years really like latest developments of building working make up gains into plugsfrom developers like U-he and Klanghelmno more fooling around with louder signals always sounding better to our ears I've spent a little time A/B'ing this with a few other tape emu's. (not UA)It definitely holds its own in the broad sense. It seems the easiest to tweak to get to the optimum settings for a track. I love that you can choose the perfect in-between tape speed, for example. The delay is cool, and the flange sounds fantastic. Satin is flexible enough it seems you could throw it on a finished mix and really enhance key elements. I did just that on something rough which had VTM on the 2-bus, and after compensating for the VTM volume-boost I may end up keeping Satin on there. There is a clarity/depth in the lower mids I haven't quite matched on Satin, even though I'm preferring the overall tone more...I need to come back with fresh ears, and further tweaking.Worth noting: Roundtone sounds better than I remember. I find the controls a little counter-intuitive and the sound slightly less 3-D than Satin. It is supposed to be updated soon though.Anyway, it's probably worth it for the flange alone. Gear Nut Joined: Nov 2009 Posts: 120 🎧 15 years Quote: Originally Posted by kirkwoodwest ➡️ Loving this plugin. The tape delay is amazing. i love the options to turn it into 4 tap and then the panning!? what!? Also, its so simple to setup. U-he nailed it.The tape emulation is on point. I love all the options. However, I would like some more warble/tape style sound options. the wow/flutter just doesn't exactly do it for me. I think there could be some tweaking here. (I want that old school VHS tape warble. You can achieve this easy with a strymon el capistan.Anyways... still a must have for me. Thanks u-he. You can get a ton of warble on the tape delay, just adjust rate and amount on the first delay. Follow that up with an another Satin with a dirty tape setting and you should be getting closer Gear Maniac Joined: Oct 2007 🎧 15 years I have both Studer and Ampex from AMD Bulldozer or newer (for Windows / Linux) Intel Nehalem or newer, Apple M1 (for Mac) Linux - glibc version 2.28 or newerPlugin Formats: Satin is not a standalone product, it requires host software. Satin is compatible with nearly all DAWs. Satin is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.Product Reviewsu-he Satin review at Music RadarGame-changing tape emulation plugin Analogue purists have long alleged that digital recording, whilst highly accurate and detailed, sounds...u-he Satin review at Resident AdvisorJust as virtual analogue synths dominate the software instrument market, analogue-style effects have become increasingly popular in recent years,...u-he: Satin Plug-In
U-he Satin Tape Machine plugin now released by The Press Desk 9th September 2013 With its three operation modes, SATIN is an all-rounder: Studio mode is predestined for multichannel tape saturation effects, all optionally controlled from a single instance. Delay mode offers complex multitap tape delays, and Flange does true through-zero tape flanging (think Small Faces “Itchycoo Park” or Hendrix “Bold as Love”). In all modes, the tape speed is continuously variable from 7.5 to 30 inches per second.While aiming for a complete simulation of classic tape machines, u-he also decided to include the noise reduction circuits. This is not spurious whimsy: the classic compander models can be used for decoding old tape recordings, or for dynamic processing and colouration effects such as – a known trick amongst seasoned tape-ops – enhancing background vocals and e.g. acoustic guitars.Satin features:Mix-and-match emulation spans all major historical developments in tape technology.Control multiple instances from one panel – ‘glue’ multiple tracks together.High-quality: internal sample rate up to 384kHz, continuous tape speed control.All the ‘goodness’ of tape (saturation, transient-smoothing, HF compression etc.).Full control over the ‘badness’ (head-bump, wow&flutter, asperity noise, hiss etc.).Record / repro EQ standards (separately selectable), classic NR compander standards.Extra FX modes: through-zero tape flanging, host-synchronizable 4-tap stereo delay.Satin for Windows and Mac (VST/AU) is available to purchase for the introductory price of $89 USD until October 7th, 2013 (regular $129 USD). AAX is in development.Link : Satin Lives for gear Joined: Aug 2006 🎧 15 years Awesome! Been waiting for this for a while....installing now. I'm sure this will be another killer from the U-he team. Lives for gear Joined: Mar 2005 Posts: 2,303 🎧 20 years Pure awesomeness!!!! Love this plug so much. Been using all week! Registered User Joined: Jan 2013 🎧 10 years Quote: Originally Posted by audiomichael ➡️ Pure awesomeness!!!! Love this plug so much. Been using all week! Can you describe what you like about it so far? I have UAD Studer and Ampex, and I'm thinking of this as a possible native alternative for when I'm low on UAD DSP. I should probably look at VTM too, but this one is a great deal if it delivers. Time for me to get a demo and check it out... Registered User Joined: Jul 2012 Posts: 2,668 🎧 10 years Quote: Originally Posted by Emmett_Brown ➡️ Can you describe what you like about it so far? I have UAD Studer and Ampex, and I'm thinking of this as a possible native alternative for when I'm low on UAD DSP. I should probably look at VTM too, but this one is a great deal if it delivers. Time for me to get a demo and check it out... Forget vtm this is the real deal Lives for gear Joined: Aug 2006 Posts: 1,609 🎧 15 years Still needs some "1/8, 1/8d, 1/8t and the likes" values display when synched to the host for the delay mode. Quote: Originally Posted by nickelironsteel ➡️ Forget vtm this is the real deal. u-He Satin, buy u-He Satin, download u-He Satin, u-He Satin plugin, u-He u-He Satin. Home; Software Sample Packs; Beats; About; Blog; Contact; Login; u-He Satin - u-He. Previous Next.u-he SATIN - junglemixing.com
Nothing else quite sounds like tape. u-he Satin puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks. All the good (saturation, transient smoothing, compression) as well as the bad (noise modulation, flutter, hiss) qualities are under your control. Construct your (im)perfect tape machine. The sound Once reserved for major studios, digital recording has become widespread. It offers pristine sound and comfortable editing at a fraction of the cost of multitrack tape. Despite all the advantages, however, digital audio can easily sound too clean and impersonal. So musicians, producers and audio engineers have turned to traditional analog tools to bring some life back into overly clinical recordings. A world of non-linear behaviours, distortion, saturation and much more arises during tape recording and playback. Bringing these coveted characteristics of magnetic tape into the digital realm, in unprecedented quality—this is what Satin is all about. That tape sound depends on interaction between the various parts of a tape machine. Each contributes in one way or another—enhancing, reducing, combining—to generate the final sound. Satin models individual components and lets them interact in the same way. For maximum flexibility in sound shaping, Satin is a toolkit of alternative parts, not an emulation of a single machine. Build your own custom tape unit. The perfect final sheen for your mixdown, or “glue” multiple drum tracks together, decode old NR-encoded cassette tape, or misuse Satin for extreme effects. Delay and flange Delay mode lets you construct your own tape delay machine rather than emulate any specific model. A few clicks and you will be deep in echo in no time. Choose between two or four “tape heads”, adjust tape speed, select tape material, turn up the feedback, select signal routing, add some filtering. You can add motion to each individual “tape head” for a more organic feel. Tweak the Service Panel options and give your sound the characteristic shimmer of a classic tape echo. Flange mode emulates the special technique of running identical recordings on two tape machines, then lightly pressing a finger on the reels to move the recordings in and out of phase. It was a skill that required patience and light touch. Luckily, Satin now makes it much easier and faster, all at the press of a button. For longer flanging effects or more precise control you can use the slider, either manually or automated. In service Imagine opening up a tape machine, peeking “under the hood” and tinkering with the parts. That is what service technicians used to do, and it is what the Service Panel in Satin is for. It gives you detailed control over some of the more esoteric and characterful elements. In the Tape section are perhaps the more readily identifiable attributes of tape recording: hiss, asperity, wow & flutter, crosstalk and bias. Dial in a little of each for a retro vibe or “glue”. Dial in the extreme settings and you can end up with the sound of poor quality tape . RePro-Alpha available April 4, 2016 Our latest “researchware” plug-in RePro-Alpha is ready. It is a first step in our recreation of the classic Sequential Circuits Pro-One monophonic synthesizer. This free alpha version is a way for us to gather feedback on various filter models which will help us decide on the best implementation for the final version. Please download RePro-Alpha, play with it, try the different filter models stuff, build an opinion, and then vote in this thread. Take your time and think about what differences you hear in the filter models and under what settings do hear the differences discuss. More details and downloads . Bitwig and u-he promotion March 21, 2016 Note: This promotion is now over. Once again we have partnered with fellow Berlin software developers Bitwig for a special offer. From March 23 until April 4, 2016, u-he customers can receive a discount of $50 / 50€ off Bitwig Studio Standard download from the Bitwig web shop. Note: the discount does not apply to Producer Pack Bundle, NFR or EDU licenses. To claim your discount, log in to your u-he.com account and look for the big grey box with your code. Note: Soundsets, transfer tokens and merchandise are not eligible for this promotion. Log In and Get Your Bitwig Discount If you do not have a u-he.com account yet, you can create one here . If you do not own any u-he software (yet), you are still eligible for the Bitwig discount. Just purchase any u-he plug-in during the promotion period. And there is more… And there is more: Bitwig is giving away Presswerk, Satin or Hive with every purchase and registration of a Bitwig Studio license (Standard or upgrade from 8-Track) between March 23 and April 4, 2016. Read the details at Bitwig’s website . You're reading news from 2016.u-He Satin – pluginscanada.com
Product Type: VST PluginsPlatform: MAC OSX X64 Intel, PC Windows x64, PC Windows x86Format: AU, RTAS, VST, VST3Required: DAW SoftwareTape Construction KitWe took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it…But we couldn't stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic 'one-shot' tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital aficionados will also learn to love the magic of tape — Satin invites you to explore and find out for yourself.*{padding:0;margin:0;overflow:hidden}html,body{height:100%}img,span{position:absolute;width:100%;top:0;bottom:0;margin:auto}span{height:1.5em;text-align:center;font:35px/1.5 sans-serif;color:#fff;background:rgba(0,0,0,0.7);}Click ▶ to play" width="560">Highlights: mix-and-match emulation spans all major historical developments in tape technology control multiple instances from one panel - 'glue’ multiple tracks together high-quality: internal sample rate up to 384kHz, continuous tape speed control all the 'goodness' of tape (saturation, transient-smoothing, HF compression etc.) full control over the 'badness' (head-bump, wow&flutter, asperity noise, hiss etc.) record / repro EQ standards (separately selectable), classic NR compander standards extra FX modes: through-zero tape flanging, host-synchronizable 4-tap stereo delay*{padding:0;margin:0;overflow:hidden}html,body{height:100%}img,span{position:absolute;width:100%;top:0;bottom:0;margin:auto}span{height:1.5em;text-align:center;font:35px/1.5 sans-serif;color:#fff;background:rgba(0,0,0,0.7);}Click ▶ to play" width="560">You may also find more information about this product on manufacturer's website.You may buy u-he Satin v1.3.0 or download itu-He Satin - thefxchain.com
I've been trying to learn more about some physical modeling for (e.g.) plate and spring reverbs, but I'm assuming that you don't necessarily mean physical modeling when you describe it as derived from physics?btw, I'm trying Vastaus that some peeps recommended here and it passes my high end harshness test with flying colors. It may be the secret sauce I need to slather onto MAL-2 from Acustica, which is a problem child but which is the most high freq heightening beast I've ever encountered when i put it in dual mode and boost the HF threshold. After trying lots of HF softeners after MAL-2, the most useful to date is U-he Satin using decoder only (B-type or uhx Type II) and adjusting the other settings to get a smiley frequency response in the gui that is ever so slightly tilted for reduced gain on the HF and increased on the LF. Now, Vastaus is sounding ever so nice in this regard, it's allowing the MAL-2 HF structure to come through but taming the harshy vibes. Making me super stoked to try Maji for how it might be special as well. Thanks a bunch.. u-He Satin, buy u-He Satin, download u-He Satin, u-He Satin plugin, u-He u-He Satin. Home; Software Sample Packs; Beats; About; Blog; Contact; Login; u-He Satin - u-He. Previous Next. u-He Satin, buy u-He Satin, download u-He Satin, u-He Satin plugin, u-He u-He Satin. Home; Software Sample Packs; Beats; About; Blog; Contact; Login; u-He Satin - u-He. Previous Next.u-he - Satin v1.3.2
When I was designing our son’s room before we moved, he had one request: Yellow!As much as I tried, I could not dissuade him from wanting a yellow room. Now I’m not sure about you, but bright yellow is not my favorite color and I was pretty sure he would tire of and outgrow an entire room in yellow pretty quickly (or if he didn’t I would). So I decided I would do an accent wall in yellow that complemented his dinosaur theme.I researched premade dinosaur wall murals for hours. I found a few I LOVED but for the size I needed they ran from three hundred to ONE THOUSAND dollars.I don’t know about you but I do not have that type of money lying around in the best of times, much less right after purchasing a home. So being the crafty stubborn mama I am, I decided I can do this. I may not be an artist but I CAN figure this DIY dinosaur wall mural thing out out. (After all paint and brushes are a ton cheaper than three hundred bucks right?)*This post may contain affiliate links which may allow us to receive a small commission (at no additional cost to you) for purchases you make after clicking on product links in our posts, to view our full affiliate disclosure click here.But rest assured we fully believe in every product we endorse.DIY Dinosaur Wall Mural SuppliesValspar Clear Mixing Glaze (16 fl-oz)Valspar Signature Satin Interior Paint in Lemon Curd(7.5 fl-oz))Valspar Signature Satin Interior Paint in Toffee Glaze(7.5 fl-oz))Valspar Signature Satin Interior Paint in Cowboy Hat(7.5 fl-oz))Valspar Signature Satin Interior Paint in Cliveden Camelback Sofa(1 Gallon)Valspar Signature Satin Interior Paint in Grandma’s Linen (1 Gallon)- This is for the other walls not the muralPurdy Paintbrush Value PackPlastic Drop ClothPainter’s Tape (Buy Frog Tape if you can afford it)Dinosaur Vinyl Wall DecalsPreparing The RoomHonestly one of the longest parts was preparing the room.I laid down the tarp and taped it to the top of the base moulding, removed light switch plates and window blind hardware ( it really is worth it because otherwise you can never get close enough),and taped up all the wall edges and around the base moulding. Having messy edges can ruin the whole look and make you wish you just hired painters.Personally I think Frog Tape is one of the best, but I was feeling frugal and bought the cheapo stuff. Of course the result was messy edges I then had to clean up.Before Edge Clean-UpI then painted all the non-mural walls in Grandma’s Linen (such an attractive name), let that dry, then painted the entire mural wall in Cliveden Camelback Sofa.After Edge Clean UpPainting Your DIYComments
Tap and then the panning!? what!? Also, its so simple to setup. U-he nailed it.The tape emulation is on point. I love all the options. However, I would like some more warble/tape style sound options. the wow/flutter just doesn't exactly do it for me. I think there could be some tweaking here. (I want that old school VHS tape warble. You can achieve this easy with a strymon el capistan.Anyways... still a must have for me. Thanks u-he. Registered User Joined: Nov 2009 Posts: 591 🎧 15 years Quote: Originally Posted by work2do ➡️ So far I agree. I prefer Vtm and ua ampex. I expected a lot more after the hype in the other threads. Which other threads? Lives for gear Joined: Jun 2005 Posts: 6,188 🎧 15 years really like latest developments of building working make up gains into plugsfrom developers like U-he and Klanghelmno more fooling around with louder signals always sounding better to our ears I've spent a little time A/B'ing this with a few other tape emu's. (not UA)It definitely holds its own in the broad sense. It seems the easiest to tweak to get to the optimum settings for a track. I love that you can choose the perfect in-between tape speed, for example. The delay is cool, and the flange sounds fantastic. Satin is flexible enough it seems you could throw it on a finished mix and really enhance key elements. I did just that on something rough which had VTM on the 2-bus, and after compensating for the VTM volume-boost I may end up keeping Satin on there. There is a clarity/depth in the lower mids I haven't quite matched on Satin, even though I'm preferring the overall tone more...I need to come back with fresh ears, and further tweaking.Worth noting: Roundtone sounds better than I remember. I find the controls a little counter-intuitive and the sound slightly less 3-D than Satin. It is supposed to be updated soon though.Anyway, it's probably worth it for the flange alone. Gear Nut Joined: Nov 2009 Posts: 120 🎧 15 years Quote: Originally Posted by kirkwoodwest ➡️ Loving this plugin. The tape delay is amazing. i love the options to turn it into 4 tap and then the panning!? what!? Also, its so simple to setup. U-he nailed it.The tape emulation is on point. I love all the options. However, I would like some more warble/tape style sound options. the wow/flutter just doesn't exactly do it for me. I think there could be some tweaking here. (I want that old school VHS tape warble. You can achieve this easy with a strymon el capistan.Anyways... still a must have for me. Thanks u-he. You can get a ton of warble on the tape delay, just adjust rate and amount on the first delay. Follow that up with an another Satin with a dirty tape setting and you should be getting closer Gear Maniac Joined: Oct 2007 🎧 15 years I have both Studer and Ampex from
2025-04-01AMD Bulldozer or newer (for Windows / Linux) Intel Nehalem or newer, Apple M1 (for Mac) Linux - glibc version 2.28 or newerPlugin Formats: Satin is not a standalone product, it requires host software. Satin is compatible with nearly all DAWs. Satin is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.Product Reviewsu-he Satin review at Music RadarGame-changing tape emulation plugin Analogue purists have long alleged that digital recording, whilst highly accurate and detailed, sounds...u-he Satin review at Resident AdvisorJust as virtual analogue synths dominate the software instrument market, analogue-style effects have become increasingly popular in recent years,...
2025-04-19U-he Satin Tape Machine plugin now released by The Press Desk 9th September 2013 With its three operation modes, SATIN is an all-rounder: Studio mode is predestined for multichannel tape saturation effects, all optionally controlled from a single instance. Delay mode offers complex multitap tape delays, and Flange does true through-zero tape flanging (think Small Faces “Itchycoo Park” or Hendrix “Bold as Love”). In all modes, the tape speed is continuously variable from 7.5 to 30 inches per second.While aiming for a complete simulation of classic tape machines, u-he also decided to include the noise reduction circuits. This is not spurious whimsy: the classic compander models can be used for decoding old tape recordings, or for dynamic processing and colouration effects such as – a known trick amongst seasoned tape-ops – enhancing background vocals and e.g. acoustic guitars.Satin features:Mix-and-match emulation spans all major historical developments in tape technology.Control multiple instances from one panel – ‘glue’ multiple tracks together.High-quality: internal sample rate up to 384kHz, continuous tape speed control.All the ‘goodness’ of tape (saturation, transient-smoothing, HF compression etc.).Full control over the ‘badness’ (head-bump, wow&flutter, asperity noise, hiss etc.).Record / repro EQ standards (separately selectable), classic NR compander standards.Extra FX modes: through-zero tape flanging, host-synchronizable 4-tap stereo delay.Satin for Windows and Mac (VST/AU) is available to purchase for the introductory price of $89 USD until October 7th, 2013 (regular $129 USD). AAX is in development.Link : Satin Lives for gear Joined: Aug 2006 🎧 15 years Awesome! Been waiting for this for a while....installing now. I'm sure this will be another killer from the U-he team. Lives for gear Joined: Mar 2005 Posts: 2,303 🎧 20 years Pure awesomeness!!!! Love this plug so much. Been using all week! Registered User Joined: Jan 2013 🎧 10 years Quote: Originally Posted by audiomichael ➡️ Pure awesomeness!!!! Love this plug so much. Been using all week! Can you describe what you like about it so far? I have UAD Studer and Ampex, and I'm thinking of this as a possible native alternative for when I'm low on UAD DSP. I should probably look at VTM too, but this one is a great deal if it delivers. Time for me to get a demo and check it out... Registered User Joined: Jul 2012 Posts: 2,668 🎧 10 years Quote: Originally Posted by Emmett_Brown ➡️ Can you describe what you like about it so far? I have UAD Studer and Ampex, and I'm thinking of this as a possible native alternative for when I'm low on UAD DSP. I should probably look at VTM too, but this one is a great deal if it delivers. Time for me to get a demo and check it out... Forget vtm this is the real deal Lives for gear Joined: Aug 2006 Posts: 1,609 🎧 15 years Still needs some "1/8, 1/8d, 1/8t and the likes" values display when synched to the host for the delay mode. Quote: Originally Posted by nickelironsteel ➡️ Forget vtm this is the real deal
2025-04-07Nothing else quite sounds like tape. u-he Satin puts the legacy of tape recording in your hands: from top-of-the-line multi-track consoles to humble cassette decks. All the good (saturation, transient smoothing, compression) as well as the bad (noise modulation, flutter, hiss) qualities are under your control. Construct your (im)perfect tape machine. The sound Once reserved for major studios, digital recording has become widespread. It offers pristine sound and comfortable editing at a fraction of the cost of multitrack tape. Despite all the advantages, however, digital audio can easily sound too clean and impersonal. So musicians, producers and audio engineers have turned to traditional analog tools to bring some life back into overly clinical recordings. A world of non-linear behaviours, distortion, saturation and much more arises during tape recording and playback. Bringing these coveted characteristics of magnetic tape into the digital realm, in unprecedented quality—this is what Satin is all about. That tape sound depends on interaction between the various parts of a tape machine. Each contributes in one way or another—enhancing, reducing, combining—to generate the final sound. Satin models individual components and lets them interact in the same way. For maximum flexibility in sound shaping, Satin is a toolkit of alternative parts, not an emulation of a single machine. Build your own custom tape unit. The perfect final sheen for your mixdown, or “glue” multiple drum tracks together, decode old NR-encoded cassette tape, or misuse Satin for extreme effects. Delay and flange Delay mode lets you construct your own tape delay machine rather than emulate any specific model. A few clicks and you will be deep in echo in no time. Choose between two or four “tape heads”, adjust tape speed, select tape material, turn up the feedback, select signal routing, add some filtering. You can add motion to each individual “tape head” for a more organic feel. Tweak the Service Panel options and give your sound the characteristic shimmer of a classic tape echo. Flange mode emulates the special technique of running identical recordings on two tape machines, then lightly pressing a finger on the reels to move the recordings in and out of phase. It was a skill that required patience and light touch. Luckily, Satin now makes it much easier and faster, all at the press of a button. For longer flanging effects or more precise control you can use the slider, either manually or automated. In service Imagine opening up a tape machine, peeking “under the hood” and tinkering with the parts. That is what service technicians used to do, and it is what the Service Panel in Satin is for. It gives you detailed control over some of the more esoteric and characterful elements. In the Tape section are perhaps the more readily identifiable attributes of tape recording: hiss, asperity, wow & flutter, crosstalk and bias. Dial in a little of each for a retro vibe or “glue”. Dial in the extreme settings and you can end up with the sound of poor quality tape
2025-04-02. RePro-Alpha available April 4, 2016 Our latest “researchware” plug-in RePro-Alpha is ready. It is a first step in our recreation of the classic Sequential Circuits Pro-One monophonic synthesizer. This free alpha version is a way for us to gather feedback on various filter models which will help us decide on the best implementation for the final version. Please download RePro-Alpha, play with it, try the different filter models stuff, build an opinion, and then vote in this thread. Take your time and think about what differences you hear in the filter models and under what settings do hear the differences discuss. More details and downloads . Bitwig and u-he promotion March 21, 2016 Note: This promotion is now over. Once again we have partnered with fellow Berlin software developers Bitwig for a special offer. From March 23 until April 4, 2016, u-he customers can receive a discount of $50 / 50€ off Bitwig Studio Standard download from the Bitwig web shop. Note: the discount does not apply to Producer Pack Bundle, NFR or EDU licenses. To claim your discount, log in to your u-he.com account and look for the big grey box with your code. Note: Soundsets, transfer tokens and merchandise are not eligible for this promotion. Log In and Get Your Bitwig Discount If you do not have a u-he.com account yet, you can create one here . If you do not own any u-he software (yet), you are still eligible for the Bitwig discount. Just purchase any u-he plug-in during the promotion period. And there is more… And there is more: Bitwig is giving away Presswerk, Satin or Hive with every purchase and registration of a Bitwig Studio license (Standard or upgrade from 8-Track) between March 23 and April 4, 2016. Read the details at Bitwig’s website . You're reading news from 2016.
2025-04-03