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Master Tones offers the British Kolorizer ($149 value) AI-powered analog saturation and EQ plugin as a FREE download until June 17th, 2021.British Kolorizer is an analog-style coloration and saturation effect. The plugin is based on a customized British tube amplifier and uses the “Ariosa” analog modeling technology by Master Tones.See also: Free Saturation VST PluginsMaster Tones is a startup company based in Taiwan, and British Kolorizer is their first release. The company developed an analog modeling engine that combines digital signal processing (DSP), machine learning (ML), and deep neural networks (DL).Instead of simulating the individual components of an analog circuit (such as the Tube Preamp plugin we covered recently), the Ariosa engine (and similar technologies) analyze the sound output of analog hardware to emulate its characteristics in the digital domain.British Kolorizer uses internal oversampling (96 kHz) with minimal latency and fairly low CPU consumption.The plugin sports a simple user interface with three control knobs and a volume output slider. The user can adjust the low-frequency boost (Fat knob), high-frequency boost (Bright knob), and the dry/wet level (Mix knob). Although the plugin is easy to operate, Master Tones provided ten presets to help new users get started.I tested British Kolorizer on a set of electronic drum samples and a couple of virtual synthesizers (Vital and Charlatan). It performed quite well. The Bright control adds clarity, and the Fat knob works well on synth bass, adding weight and a bit of growl. On the other hand, I noticed that the Fat knob

Settings.Low CPU Usage: Ideal for users working on larger projects or with limited processing power.High-Quality Tube Emulation: Adds a classic analog warmth to any track.Cons:Limited Control: Some users might find the lack of detailed attack, release, and ratio controls limiting, especially for more advanced mixing tasks.No Sidechain Function: Supercharger lacks sidechain input, a feature found on more advanced compressors, limiting its use in certain production techniques like ducking.Comparison to Other CompressorsSupercharger sits comfortably between basic stock compressors and high-end, complex alternatives. Its tube-emulated sound gives it an edge over many other free compressors, especially those with a purely digital sound. However, for more in-depth tweaking, professional compressors like FabFilter Pro-C 2 or Waves SSL G-Master Buss Compressor offer more control. That said, Supercharger is a fantastic option for users who prioritize ease of use and quick results without sacrificing quality.ConclusionNative Instruments’ Supercharger is a must-have plugin for producers looking to add analog warmth and character to their tracks without diving into complicated controls. Whether you’re a beginner looking for a straightforward compressor or a seasoned producer seeking quick and effective sound shaping, Supercharger delivers rich, high-quality tube compression at zero cost during promotions.You can check the Native Instruments website for any ongoing promotions or availability of Supercharger as a free download. It’s an excellent addition to any plugin arsenal, particularly for users who appreciate analog-style compression with a modern, user-friendly interface. Continue Reading

Forums Amplifier Discussion Forums Amp Central Station You are using an out of date browser. It may not display this or other websites correctly.You should upgrade or use an alternative browser. Master Volume vs. attenuator Thread starter schotter611 Start date Mar 16, 2022 This site may earn a commission from merchant affiliate links like Ebay, Amazon, and others. #1 Joined Aug 1, 2012 Posts 812 Location Berlin Owned some 5-15W amps, master and non-master (PRRI, AC10, AC4tvh, Laney L5T and VC15,…) and learned that anything is too loud for home use if you’re after some saturation. And: 5 watts can be just right in a small band (Dr/B/Git). Now, looking at my next amp purchase I was wondering if combining the 5 Watts (or even down 1 !!) with an attenuator would do the trick…Cleans wise I am after ‘thicker’ clean, rather scooped, with a hint to the bassy ‘bubbling’ of a fender style amp. But exactly that elusive ‘in between’, when cleans start thickening, is what I could never fully achieve with a master volume amp or/and pedals, unless playing out on stage (long time ago). Close, but not quite the same. So my contenders so far: Custom Vibro Champ or CPR68, with added attenuator Marshall JTM-1 Tone King Gremlin VHT Special 6 Ultra….? Any other ideas within the ‘mainstream’ realm? I know there are some more boutique options out there (Gries, Allen…) but not practically available in Europe. Spring Reverb appreciated but not mandatory. THX! #2 Only my take on things - I love working on and playing tube amps and own a few. They get played in the rehearsal space / basement, turned up, no attenuation. I agree with your assessment, for home use, any dimed amp is too much. But for home - meaning living room kinda vibe - imho a small modelling or solid state amp with pedals is the only solution, maybe also a headphone solution. Plenty of options. If you want tube, maybe a Vibro Champ XD.. maybe, and probably not dimed. Attenuation on a 5W/1W Tube amp.. mh.. I would not invest in this idea. YMMV #3 My preference is to use a small tube amp, right now either a SFPR or a Monoprice 5w (aka Harley Benton Tube 5) into a Bugera Power Soak (also available under Harley Benton brand, I think). The line out on the Bugera goes to a Hotone IR Cab pedal then to a mixer and speakers/headphone/PC. I mainly use multi-mic 4x12 EVM 12L IRs. For reverb, I use the built in on the SFPR or a Keeley Caverns with the Monoprice. #4 Joined Dec 18, 2007 Posts 1,597 Location Europe For home use I rather throw