That was easy sound

Author: m | 2025-04-25

From the upbeat and playful sound of That was easy by Me, to the challenging and determined sound of Not That easy, to the iconic sound of the That was easy button, these sounds can

Easy Easy Sounds and Sound Effects - Voicy

I added two sound clips of my professor tweed build...they´re in my website: just added a little reverb...it was recorded miking the amp, the pedal was on the front (preamp), and before it a Boss DS1 for the boosted sound..The boosted is really dirty, like it took the character of the DS1.. the PT alone sounded really good.. but avoiding the "farting" sound lowering the gain and going easy over the low notes.....i just gave up trying to get rid of that ugly buzz, seems that the best solution ys building/buying a jcm800!!..do anyone thinks that a output buffer will help with the farting buzz? y already put a 0.1uF cap at the output thinking that it was DC offsetting the signal and uglyclipping my amp...but no...didnt help at all.greetiongs!! The Professor tweed clips alone sound nice!The Boosted clips take on the tone of the DS-1 but the combonation still sounds good to me. Adding a buffer will not help. A buffer is for preserving the impedance of the circuit. The "buzzing" sound you are talking about. It this the hum over both soundclips? Is this coming out of your amp or was this because of the recording?John Basic Audio Pedalswww.basicaudio.net/ nop..is not the hum...the hum was because poor recording technique (sorry bout that)The farting sound is not present on the demos cause i was easy on the low e string and set the gain rather low (12 o clock)ill post the farting sound later so you can hear it..is a nasty clipping, very SS buzz..not useable.... Cudos on the clips! Very nice playing and a great sounding pedal. I gotta try that one.I too have pedal with a lot of farting - the RAT2. What to do about that?EDIT: I was trying to ask: Is there a universal approach

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Compression Made Easy - Sound On Sound

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Easy Sounds and Sound Effects - Voicy

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That was easy Sound - YouTube

Laborer.Many sound system proprietors traveled to the U.S. to purchase R&B records — the preferred music among their dance patrons and key to a sound system’s following and trumping an opponent in a sound clash. With the birth of rock and roll in the mid-1950s, suitable R&B records became scarce. Jamaica’s ever-resourceful sound men ventured into Kingston studios to produce R&B shuffle recordings for sound system play. Recognizing there was a wider market for this music, Dodd pressed up a few hundred copies of two sound system favorites for general release, the instrumental "Shuffling Jug" by bassist Cluett Johnson and his Blues Blasters and singer/pianist Theophilus Beckford’s "Easy Snapping," both issued on Dodd’s first label, Worldisc. (Some historians recognize "Easy Snapping" as a bridge between R&B shuffle and the island’s Indigenous ska beat; others cite it as the first ska record.) When those discs sold out within a few days, other soundmen followed Dodd’s lead and Jamaica’s commercial recording industry began to flourish."Before then, the only stuff released commercially were mento records that were recorded here, but our sound really hit so we kept on recording. When I heard 'Easy Snapping,' I said 'Oh my gosh!'" Coxsone recalled in a 2002 interview for Air Jamaica's Skywritings at Kiingston’s Studio One. "I thank God for that moment." Dodd was the first producer to enlist a house band, pay them a weekly salary rather than per record. Together, they had an impressive run of hits in the ska era in the early ‘60s; during the rocksteady period later in the decade, Dodd ceded top ranking status to long standing sound system rival (but close family friend) turned producer Duke Reid. (Still, Studio One released the most enduring instrumentals or rhythm tracks, also known as riddims, of the period.) As rocksteady morphed into reggae circa 1968, Dodd triumphed again with consistent releases of exceptional quality. In 1979 armed robbers targeted the Brentford Rd premises several times. Dodd left Jamaica and established Coxsone’s Music City record store/recording studio in Brooklyn, dividing his time between New York and Kingston. Reissues of Dodd’s music via Cambridge, MA based Heartbeat Records, beginning in the mid 1980s, followed by London’s Soul Jazz label in the 2000s, and most recently Yep Roc Records in Hillsborough, NC, have helped introduce Studio One’s masterful work to new generations of fans. "The best time I’ve ever had was when I acquired my studio at 13 Brentford Rd. because you can do as many takes until we figured that was it," Coxsone reflected in the 2002 interview. "God gave me a gift of having the musicians inside the studio to put the songs together. In the studio, I always thought about the fans, making the music more pleasing for listening or dancing. What really helped me was having the sound system, you play a record, and you weren’t guessing what you were doing, you saw what you were doing." To commemorate the 20th anniversary of Coxsone Dodd’s passing, read on for a list

that was easy sound effect

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