Squished together

Except shin, which counts as three.A normal line is defined in this Torah as 62 yuds. That means that if you sat down and wrote 62 yuds in a nice line, they should fill up the line exactly. (If you find your writing doesn’t fit, you learn to space your script so that it does!) So, the person who put the tikkun together looked at this Torah that someone with a lot of experience wrote once, and counted the number of yuds to a line. Using the tikkun soferim saves me having to do that, you see. I could copy from any good text of the Torah, but this is far easier – if you don’t count, you risk your spacing going wrong, and if you do count, your brain explodes from tedium.Anyway, sometimes a line will indeed have the exact equivalent of 62 yuds, and in that case it will be labelled שת, shin-tav, which stands for “shita temima,” or “complete line.” Otherwise, it will be labelled by the number of yuds it has gained or is lacking. The line above is labelled yud-hey. Yud stands for yoter, which means “extra,” and hey has the numerical value of 5, so we know that the line is over by 5 – it would measure 67 yuds if you wrote each letter its usual size. So you have to squish everything up a little bit to make it all fit in nicely. The alternative, when there are fewer letters, will be labelled chet-something, the chet standing for chaser, which means “lacking.” So chet-gimel would mean lacking-three, or 59 yuds.If you aren’t concentrating, you get a nasty surprise at the end of the line, and you have to salvage the situation as best you can:This line is only over by 3, but:the letters at the beginning of the line are too long, so the letters at the end are squished up, and even so they spill over into the margin. Not good.A well-written line plans ahead, so that all the letters are evenly reduced or enlarged from the beginning of the line – this doesn’t happen when you only remember that you need to be doing it after you’ve written half the line already. You want it to look not obviously squished or obviously stretched – the first line we saw has 5 extra yuds, but that isn’t obvious here:With practice and

CSS The object-fit PropertyThe CSS object-fit property is used to specify how an or should be resized to fit its container.The CSS object-fit PropertyThe CSS object-fit property is used to specify how an or should be resized to fit its container.This property tells the content to fill the container in a variety of ways; such as "preserve that aspect ratio" or "stretch up and take up as much space as possible".Look at the following image from Paris. This image is 400 pixels wide and 300 pixels high:However, if we style the image above to be half its width (200 pixels) and same height (300 pixels), it will look like this:We see that the image is being squished to fit the container of 200x300 pixels (its original aspect ratio is destroyed).Here is where the object-fit property comes in. The object-fit property can take one of the following values: fill - This is default. The image is resized to fill the given dimension. If necessary, the image will be stretched or squished to fit contain - The image keeps its aspect ratio, but is resized to fit within the given dimension cover - The image keeps its aspect ratio and fills the given dimension. The image will be clipped to fit none - The image is not resized scale-down - the image is scaled down to the smallest version of none or containUsing object-fit: cover;If we use object-fit: cover; the image keeps its aspect ratio and fills the given dimension. The image will be clipped to fit:Using object-fit: contain; If we use object-fit: contain; the image keeps its aspect ratio, but is resized to fit within the given dimension:Using object-fit: fill; If we use object-fit: fill; the image is resized to fill the given dimension. If necessary, the image will be stretched or squished to fit:Using object-fit: none; If we use object-fit: none; the image is not resized:Using object-fit: scale-down; If we use object-fit: scale-down; the image is scaled down to the smallest version of none or contain:Exampleimg { width: 200px; height: 300px; object-fit: scale-down;}Try it Yourself »Another ExampleHere we have two images and we want them to fill the width of 50% of the browser window and 100% of the height.In the following example we do NOT use object-fit, so when we resize the browser window, the aspect ratio of the images will be destroyed:In the next example, we use object-fit:

New Here , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/td-p/10730464 Nov 11, 2019 Nov 11, 2019 Copy link to clipboard Copied Tracking/leading and percentiles all look normal. Any fixes? Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more 1 Correct answer New Here , Nov 11, 2019 Nov 11, 2019 Not the font - I had to restart my computer and it went back to normal. Weird fluke Explore related tutorials & articles 5 Replies 5 Community Expert , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/m-p/10730550#M277166 Nov 11, 2019 Nov 11, 2019 Copy link to clipboard Copied Is it just this font? Your leading is huge. Try setting your points to a whole number for the size. Melissa Piccone | Adobe Trainer | Online Courses Author | Fine Artist Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more New Here , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/m-p/10730622#M277184 Nov 11, 2019 Nov 11, 2019 Copy link to clipboard Copied In Response To melissapiccone Not the font - I had to restart my computer and it went back to normal. Weird fluke Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more New Here , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/m-p/13165583#M667928 Aug 29, 2022 Aug 29, 2022 Copy link to clipboard Copied I have same problem ۔Kindly help me to sort out this problem ۔When I written text it's squished together even i can't read it Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more Community Expert , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/m-p/13165833#M667969 Aug 29, 2022 Aug 29, 2022 Copy link to clipboard Copied In Response To Sidra25859584zgzf Check out your tracking - I need to see a screenshot of your type and your character panel for the settings. Melissa Piccone | Adobe Trainer | Online Courses Author | Fine Artist Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more Community Expert , /t5/photoshop-ecosystem-discussions/text-is-squishing-together/m-p/13165854#M667971 Aug 29, 2022 Aug 29, 2022 Copy link to clipboard Copied LATEST In Response To Sidra25859584zgzf Hi @Sidra25859584zgzf ,Check your tracking as suggested by @melissapicconeIf it does not resolve the problem, try changing the font. Try Myriad or Minion Pro.Do you still have the problem? Follow Report Community guidelines Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more

Disc Creator,a complete disc-burning suite with the ability to import and edit DVDs in aneven wider variety of formats (www.ulead.com/dmf).However, no single format is best for all uses, so with this freedom of choicecomes some more confusion about DVD formats.Mushed DVDsIf you think about it, why should you need to keep a separate copy of allyour DVD projects around? After all, the final DVD, by definition, has all thecontent on it: certainly all the video and audio, even conveniently broken intoclips and chapters, plus the menus, and the navigation information. Any DVDplayer can extract this information in order to play the disc, so it would seemto make sense to think that you could do the same in order to re-edit it.Of course, things are not quite that simple. When you build a DVD, all thecontent is compressed and then mushed together into the VOB files that you mayhave seen under the VIDEO_TS folders on a DVD disc. These days, stripping thevideo and audio clips out of a DVD is not a big deal, but you typically just geta dump of the video and audio streams out of the VOB files, not the nicelogically organized clips and chapters that appear in the menus. In addition,the video is in compressed MPEG-2 format, which is not particularly convenientfor further editing.Even worse, the menus on a DVD are "flattened" into a singlecomposite image. All the different elements that you composed into the menudesign -- the background (image or video), titles, graphics annotations,buttons, button frames, button text, etc. -- are squished down into the finalmenu image (or video) stored on the disc, so all the individual elements thatwere used to create it have been lost.(Yes, the button highlights are still available, so you could derive someinformation about the general button positions and associated navigation links,but you still could not access the individual elements, much less edit the textof a menu title to fix a typo.)The Re-Editing SolutionThis situation is so tantalizing -- the DVD is so close to being accessiblefor editing. It has all the content, but mushed together with the navigation andthe flattened menus.

As the parameter you send when you call it. It’s a bit more of a pain to set it up this way, but (I think) you save ROM space, as samples used in multiple songs would only be stored once.You might need many many songs, and this method won’t be enough, because you will run out of ARAM space to fit all the song data. In that case, you will need to make multiple soundbanks.Another advantage of this (multiple songs squished together into one song) approach is that you can switch back and forth between songs without having to wait for a it to be transferred from the SNES ROM to the ARAM. You only have to wait at the beginning when you initially load everything.When you include the soundbank to the SNES source file, it needs to be located at the very beginning of a bank. If you have multiple soundbanks, each needs to be at the beginning of a bank (ie, address $8000 in LoROM mapping).For sound effects, you can make a separate soundbank… just an IT file with no song, just samples, converted by smconv into a soundbank. Or, you can use the existing song soundbank to store your samples, but there is a caveat. The song samples use a different table than the sfx, so you will have to load the sample, which might be a duplicate of a sample in the song… ie. you would have to copy the same sample in twice. But, I made a function (spcClone) so you don’t have to have 2 copies of the same sample to use them both in the song and as a sfx.If you opt to use the streaming functions, you don’t need a soundbank, you need a BRR file (without the 2 byte loop address